A F515 winch was used to suspend the pole from the overhead grid, allowing the performer to climb onto it, before ascending for the performance. Timecode and PSN networking synced up the lighting, content effects and automation cues for seamless automation throughout the entire show.Ĭentral to the show was a segment using an aerialist suspended on a pole center-stage. Navigator operated the video track trusses and performer flying winch, integrating with content-maker D3 and the lighting console. With all of this equipment moving around on-stage each night, the reliability and safety of the automated gear was a key strength for TAIT to execute via its proprietary TAIT Navigator Automation Platform™ which is renowned for its reliability, safety and precision. Crucial to the project’s success was the integration of the LED assets with TAIT’s custom-built column structures, so TAIT’s integration team worked closely with LMG to ensure everything fell into place perfectly. LMG Touring supplied LED screens on three sides of the columns and LED light bars on the fourth side. The columns were used to display video content and to frame individual ‘scenes’ within the show. ![]() Each tower had three axes of movement, allowing them to track on and off stage horizontally, rotate 180 degrees and move up and down above the stage. Suspended from each of the three trusses via TAIT Trolleys, Rotators, Coat Hangers and Nav Hoists, were four rectangular 32-foot high, 30-inch wide LED video columns. The rigging itself consisted of three runs of video track truss, each 120-foot long and spanning the width of the stage. “We appreciate working with FragmentNine and Paul Tate DePoo as their creative insight inspires us to push the boundaries of art and technology”, explains Aaron Siebert, Business Development Manager at TAIT, “Having been engaged with their design teams early on allowed us to collaborate on the design of their video column concept and further develop the size, composition, and motion of the columns to help realize their vision and bring the set to life.” It quickly became clear that to achieve the look they wanted, they’d need to bring in a team that had the experience to ensure that the show could come together with pinpoint precision each night.įor Usher’s Las Vegas residency, TAIT was brought on board by FragmentNine to handle the technicalities of creating a show that featured performer flying, overhead rigging, LED integration, and show automation, all of which are TAIT specialties. “Every time that I’ve done anything, I always try my hardest to intertwine for-profit and for-purpose at the same time, and this is an opportunity for me to do.Usher’s management agency, Nav Five Live and design firm FragmentNine, were set out to produce a spectacular automated show. “ has been a real passion for almost 22 years now, and being able to continue to mentor and prepare young men and women from underserved communities - that right there is my hard work that goes into really helping people to have a greater life, greater opportunities, understand that they can be entrepreneurs,” Usher says. (UNL), with funding going toward programs for underserved youth. Additionally, Usher, Live Nation Las Vegas and Caesars Entertainment are donating $1 of every ticket purchased to Usher’s Las Vegas residency to Usher’s New Look, Inc. General ticket prices begin at $59, plus applicable tax and fees, and a limited number of VIP meet ad greet packages are also available for each show. PT until Wednesday, September 9th at 10:00 p.m. Presale tickets will be available beginning Monday, September 7th at 10:00 a.m. Tickets for Usher’s Las Vegas residency will go on sale to the public starting Thursday, September 10th at 10:00 a.m. ![]() To finally be able to get this opportunity, to share myself and also to share my history with my audience, I can’t wait for it.” “The vibe of Las Vegas is everything on steroids - the best clubs, the best shows, the best food, all of it. “Since I was 21 years old, I’ve really anticipated getting to go to Vegas and play the shows the way that they did in the early days,” he says. The artist adds that he’s hoping to create a “fully immersive” show for long-time fans and new audiences alike. “So I’m really excited to be able to know that I’m in the process of putting together a show for Las Vegas.” “2020 has been extremely complicated - we’ve suppressed this anxiety and energy to do anything social,” Usher tells Rolling Stone. Produced by Live Nation and Caesars Entertainment, the residency will host Usher in the 4,300-seat venue with a show that spans his two-decade career, featuring old hits as well as more recent songs and brand-new music. Usher has announced a headlining Las Vegas residency at the Colosseum at Caesars Palace, opening Friday, July 16th, 2021.
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